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  • Bonsai thief steals $118,000 worth of small trees, including a valuable 400-year-old juniper
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Bonsai thief steals $118,000 worth of small trees, including a valuable 400-year-old juniper

By Kenneth C. Cutter Last updated Jun 9, 2022
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A bonsai thief stole seven small trees worth at least 13 million yen ($118,000) of a garden space in Saitama prefecture near Tokyo.

The loot included a rare 400-year-old shimpaku tree, a star of the bonsai world, which was due to enter a Japanese beauty pageant this month.

The shimpaku prize alone was worth more than 10 million yen ($90,000), according to Fuyumi Iimura, wife of the bonsai master who made the trees.

“We treated these miniature trees like our children,” she said. “There are no words to describe how we feel. It’s like having our limbs cut off.

Iimura added that those responsible for the thefts, committed over a series of nights last month, were likely professionals, as they had identified the “most valuable trees” in the couple’s roughly 5,000-hectare park, which has about 3,000 bonsai trees.

Also removed were three miniature pines, called goyomatsus, and a trio of less valuable shimpaku, a juniper that is now rare in the wild.

Fuyumi Iimura’s husband, Seiji Iimura, is a fifth-generation bonsai master whose family practice dates back to the Edo period (1603-1868).

Derived from the ancient Chinese art of “penjing”, or miniature landscaping, bonsai was introduced to Japan in the 6th century by a group of Japanese students of Zen Buddhism returning from their travels abroad.

They dubbed it ‘bonsai’, which literally means ‘planted in a container’ and – at its most basic level – the art is simply growing a wild tree inside a small container.

While some bonsai grow from seed, creating shimpaku is a laborious process, not least because the original trees are dangerous to collect, growing on precarious cliffs.

Iimura said the 400-year-old stolen tree was taken from a mountain centuries ago. Through a deep knowledge of plant physiology, Iimura’s family had gradually reduced the tree to its miniature form. It was one meter (3.2 ft) high and about 70 centimeters (2.3 ft) wide when stolen.

“It’s not something that can be done overnight,” Iimura said.

Stephen Voss started photographing bonsai trees in 2014 as a personal side project. One of the most spectacular bonsai trees in the United States National Arboretum, this Japanese white pine survived the atomic bombing of Hiroshima. It was introduced to the United States by the Japanese government in 1976, as a symbol of peace. “It’s amazing how long these trees last,” Voss says. “Every day for 400 years, someone has taken care of this tree. These people make it their life’s work, and then they pass it on to someone else.” (Credit: Stephen Voss)” class=”gallery-image__dam-img”/>

Pictures: Bonsai ‘In formation’

Stephen Voss

Japanese white pine, growing since 1625 —

Washington DC-based portrait photographer Stephen Voss started photographing bonsai trees in 2014, as a personal side project. One of the most spectacular bonsai trees in the United States National Arboretum, this Japanese white pine survived the atomic bombing of Hiroshima. It was introduced to the United States by the Japanese government in 1976, as a symbol of peace. “It’s amazing how long these trees last,” Voss says. “Every day for 400 years, someone has taken care of this tree. These people make it their life’s work, and then they pass it on to someone else.” (Credit: Stephen Voss)

Voss made nearly 80 trips to the United States National Arboretum over a two-year period, and the project turned into an art book titled In Training”, which refers to the art of training a bonsai. Voss captured moving, abstract images of nearly 75 trees from the Arboretum’s collection. (Credit: Stephen Voss)
” class=”gallery-image__dam-img”/>

Pictures: Bonsai ‘In formation’

Stephen Voss

Sargent Juniper, in training since 1905 —

Voss made nearly 80 trips to the United States National Arboretum over a two-year period, and the project turned into an art book titled “In the formation“, which refers to the art of training a bonsai tree. Voss captured moving abstract images of nearly 75 trees from the Arboretum’s collection. (Credit: Stephen Voss)

Pictures: Bonsai ‘In formation’

Stephen Voss

Toringo Crabapple, in training since 1905 —

“I didn’t want anything superfluous in these images. I sought to remove everything until I hit the essence of the tree, the beautiful abstract curve in this interesting, textured shape,” Voss explains. (Credit: Stephen Voss)

An example of a uniquely American approach to bonsai, Voss says this California juniper has a wild yet refined look that's beautiful and raw.  (Credit: Stephen Voss)

Pictures: Bonsai ‘In formation’

Stephen Voss

California Juniper, in training since 1985 —

An example of a uniquely American approach to bonsai, Voss says this California juniper has a wild yet refined look that’s beautiful and raw. (Credit: Stephen Voss)

One of the smallest and most delicate trees in the US National Arboretum, this Crape Myrtle represents a

Pictures: Bonsai ‘In formation’

Stephen Voss

Crape Myrtle, in training since 2010 —

One of the smallest and most delicate trees in the US National Arboretum, this Crape Myrtle represents an “appreciation of the austere, simple beauty of bonsai — without artifice or pretension,” Voss says. (Credit: Stephen Voss)

Voss says he thinks the tree's leafless body and dramatic shape remind him of a tree growing on a rock along a windswept coastline.  (Credit: Stephen Voss)

Pictures: Bonsai ‘In formation’

Stephen Voss

Chinese elm, date of formation unknown —

Voss says he thinks the tree’s leafless body and dramatic shape remind him of a tree growing on a rock along a windswept coastline. (Credit: Stephen Voss)

Pictures: Bonsai ‘In formation’

Stephen Voss

Drummond’s Red Maple, in training since 1974 —

“The Drummond red maple was just starting to show leaves when I photographed it,” Voss explains. “It’s a tree in transition, beginning to lose the bareness of its winter appearance, but not yet fully showing its spring appearance. I think the end result looks like a watercolor and I like the abstraction of the leaves , those little spots of color among the trunks.” (Credit: Stephen Voss)

Voss wanted to share the unique spirit and characteristics of each tree he photographed, as well as the sense of peace he felt when alone with them.

Pictures: Bonsai ‘In formation’

Stephen Voss

Cedar Elm, in training since 1981 —

Voss wanted to share the unique spirit and characteristics of each tree he photographed, as well as the sense of peace he felt when alone with them. “I wanted to explore the substance of trees, the essential elements that made everyone feel sacred and vital,” he recalls. (Credit: Stephen Voss)

Adorning the cover of

Pictures: Bonsai ‘In formation’

Stephen Voss

Japanese black pine, date of formation unknown —

Adorning the cover of “In Training”, this Japanese black pine coincidentally mimics the shape of Japan. (Credit: Stephen Voss)

He captured this smooth-leaved elm tree while he was indoors.

Pictures: Bonsai ‘In formation’

Stephen Voss

Smooth-leaved elm, in formation since 1982 —

He captured this smooth-leaved elm tree while he was indoors. “I was really captivated by the light that day that came in through the skylights and felt diffused and crisp at the same time, making the tree look more like an old painting than a photograph,” Voss says. . (Credit: Stephen Voss)



Stolen bonsai trees can fetch a small fortune on the black market and have been known to be shipped overseas to Europe, Iimura said. Some artisans have spotted their bonsai on social media sites, she added, but few have been able to recover their tiny trees.

“It’s hard to repossess your tree once it’s changed hands,” Iimura said.

Ideally, the couple would like their bonsai trees returned, but failing that they appeal to the thief to take good care of their miniatures.

“I want whoever took the bonsai trees to make sure they are watered. The shimpaku has lived for 400 years. It needs care and cannot survive a week without water,” Iimura said.

“They can live forever – even after we’re gone, if they get the proper care.”

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Kenneth C. Cutter

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